rainer ganahl

index

exhibitions

seminar/lecture works

more on language

texts ____________________________ site is still worked on: descriptions incomlete. (sorry for incomplete appearance)

interveiw with paul mattick - the brooklyn rail

william kaizen: vulgar politics

WALLACH ART GALLERY AT THE UNIVERSITY OF COLUMBIA IN THE CITY OF NEW YORK -20005 September 27 - December 10

curated by William Kaizen: "PLEASE, TEACH ME" Rainer Ganahl and the Politics of Learning

http://www.columbia.edu/cu/news/05/11/wallach.html

Wallach Art Gallery, Columbia University Museum,

more books:

room 1 - seminars/lectures (S/L)

see work list at the bottom of the site:

see some of the images here S/L Wallach and here:

1. S/L, Griselda Pollock, Killing Men/Dying Women: Myth, Gesture and Sexual Difference in the 1950s, colloquium “fémininmasculin,” Les Revues Parlées, Centre Georges Pompidou, Paris, 2/2/1996
2 photographs, each 20 x 24 in.
2. S/L, Zeinab Eyega, Female Circumcision , Female Genital Mutilation, A Health and Human Rights Issue for Girls and Women, Columbia University, New York, 2/25/1997
4 photographs, each 20 x 24 in.
3. S/L, Eric Hobsbawm, Carl Schorske, David Montgomery, Ira Katznelson, Moderator: André Schiffrin, The Cold War and the University, The New School for Social Research, New York, 11/13/1997
3 photographs, each 20 x 24 in.
4. S/L, Homi Bhabha, Whose Modernity Is It Anyway? The Museum of Modern Art, New York, 11/18/1997
3 photographs, each 20 x 24 in.
5. S/L, Marc Dessauce, The Inflatable Moments: Pneumatics and Protests in '68, Reassessing '68 in New York and Paris: Activism, Architecture and the Academy, Columbia University, New York, 5/2/1998
4 photographs, each 20 x 24 in.
6. S/L, Noam Chomsky, Edward Said, Middle East Politics, Miller Theater, Columbia University, New York, 4/9/1999
2 photographs.
7. S/L, Jacques Rancière, Politics of Literature, La Maison Française, New York University, New York, 4/14/1999
3 photographs, each 20 x 24 in.
8. S/L, Stuart Hall, Ethnicity, Nation and Race at the Millennium, The Institute of Education, University of London, London, 7/1/1999
3 photographs, each 20 x 24 in.
9. S/L, Pierre Bourdieu, Recherches récentes, Collège de France, Paris, 1/12/2000
4 photographs, each 20 x 24 in.
10. S/L, Herschel Schacter, Irving Greenberg, Caroline Gutman, Barbara Haber, Adriana Paulion, The Impact of the Holocaust on Survivors: Mental Health Consequences, The Mount Sinai School of Medicine, New York, 5/1/2000
4 photographs, each 20 x 24 in.
11. S/L, Martha Rosler, Martha Rosler talks with curators Dan Cameron and Brian Wallis, New York University, New York, 8/8/2000
4 photographs, each 20 x 24 in.
12. S/L, Kobena Mercer, Nicholas Mirzoeff, Michele Wallace, Debating Diaspora, The New School for Social Research, New York, 10/30/2000
4 photographs, each 20 x 24 in.
13. S/L, Cornel West, Rem Koolhaas, Conversation 2, pragmatist imagination, The Museum of Modern Art, New York, 11/10/2000
2 photographs, each 20 x 24 in.
14. S/L, Rosalind Krauss, Bruce Nauman, Dia Art Foundation, New York, 5/23/2002
4 photographs, each 20 x 24 in.
15. S/L, Indira Viswanathan Peterson, Reading India in Goethe's Sati Ballad: Orientalist and Enlightenment Discourse in 'Der Gott und die Bajadere,' Columbia University, New York, 2/12/2004
4 photographs, each 20 x 24 in.
16. S/L, James Clifford, Impossible Realism, La Maison Française, New York University, New York, 3/6/2004
2 photographs, each 20 x 24 in.
17. S/L, Kojin Karatani, Ishikawa Kinichiro, Ping-hui Liao, Translation across Asia: Kojin Karatani, Translation as the Origin of Modern Japanese Literature; Ishikawa Kinichiro on Taiwan Landscape: A Case Study in Cultural Translation; Ping-hui Liao, The Translingual Beginnings of the Modern Korean Novel, Jongyon Hwang; Discussant: Paul Anderer, Columbia University, New York, 3/27/2004
2 photographs, each 20 x 24 in.
18. S/L, Charity Scribner, Terror and Controlled Space in Margarethe von Trotta's Die bleierne Zeit: Questions about Surveillant Technologies, Deutsches Haus, Columbia University, New York, 4/8/2004
2 photographs, each 20 x 24 in.
19. S/L, Roger Normand, World Tribunal on Iraq, New York Session, Third Session: Crimes Committed during the Ongoing Occupation, Cooper Union, New York, 5/8/2004
5 photographs, each 20 x 24 in.
20. S/L, Larry Flynt, Larry Flynt: Sex Lies and Politics, speech and signing, Coliseum Books, New York, 6/28/2004
2 photographs, each 20 x 24 in.

room 2 - language studies...

10 years of studying /recording - taping myself while studying: - the camera and the titles of the works force me to study

quantifying what can't be quantified;pushing represesntation over hte edge, technological and biotechnological competition in dyslexic entropy excercies..

who loses 'information' first... the tapes or me...

3 Months, 3 Days a Week, 3 Hours a Day, Basic Modern Greek, 1994-95
120 hours of video footage on 60 VHS tapes in 6 boxes

6 Days, 6 Hours a Day, Basic Modern Greek, 1995
36 hours of video footage on 20 VHS tapes in 2 boxes

Basic Korean, 1995 -
about 400 hours of video footage on 60 VHS tapes in 6 boxes

4 Weeks, 5 Days a Week, 6 Hours a Day - Basic Korean (Kwangju), 19975
120 hours of video footage on 60 VHS tapes in 6 boxes

Basic Japanese,
140 hours of video footage on 60 VHS tapes in 6 boxes

My First 500 Hours - Basic Chinese, 1999- 2000
500 hours of video footage on 250 VHS tapes in 25 boxes

My Second 500 Hours - Basic Chinese, 2000 -
500 hours of video footage on 250 VHS tapes in 25 boxes

My First 500 Hours - Basic Arabic, 2003 - 20005
500 hours of video footage on 250 VHS tapes in 25 boxes

My Second 500 Hours - Basic Chinese, 2005 -
500 hours of video footage on 250 VHS tapes in 25 boxes

click to download hi res images

more language related works around

Bitte lehren Sie mich Deutsch / Please, teach me German, 1995

10 photograph

more language related works here:

Language of Emigration, Bertold Adler, 2006

Languageof Emigration , Clara Ringel, 2001

MORE ON THESE WORSK: HERE

IRAQ DIALOG,SHOWDWON IRAQ, LIVE COVERAGE, WOULD US USE NUKES?, 2003
Arabic text and calligraphy by Hikmat, 2003
logo painted by Casco team
translation:
IRAQ PEACEFUL LIBERATION / FROM SADDAM'S DICTATORIAL REGIME / NO WAR ON IRAQ / NO INVASION OF IRAQ / SERIOUS INTERNATIONAL PRESSURES / HUMAN RIGHTS ORGANIZATIONS / AMNESTY INTERNATIONAL ,DOCTORS WITHOUT BORDERS; RESTRICTIONS ON SADDAM'S REGIME; WORLD MEDIA - WEAPONS INSPECTORS - UN - ARAB LEAGUE - ISLAMIC CONFERENCE WORLD POWERS. IRAQI OPPOSTION GROUPS, INSIDE AND OUTSIDE IRAQ, / DEMOCRACY, FREEDOM, HUMAN RIGHTS / THE COLLAPSE OF SADDAM'S DICTATORIAL REGIME
painted and fired ceramic tiles, size : 80 cm x 100 cm

IRAQ DIALOG: TARGET IRAQ, CNBC, BAGHDAD, WAR ON TERROR, 2003
Arabic text and calligraphy by Hikamt, 2003
LOGO PAINTING: casco team
translation:
IRAQ PEACEFUL LIBERATION
NO TO WAR AGAINST IRAQ
NO TO THE OCCUPATION OF IRAQ
SERIOUS INTERNATIONAL PRESSURES
first circle: INTERNATINOAL COMMUNITY BIG POWERS, UN INSPECTORS, ISLAMIC CONFERENCE, ARAB LEAGUE,
second circle: HUMAN RIGHTS ORGANIZATIONS,
third circle: DOCTORS WITHOUT BORDERS, UN HUMAN RIGHTS ORGANIZATION, AMNESTY INTERNATIONAL,
forth circle: PARTIES, IRAQ OPPOSITION INSIDE AND OUTSIDE OF IRAQ, SOCIETIES
fifth circle: FREEDOM, HUMAN RIGHTS, DEMOCRACY
THE COLLAPSE AND FALL OF SADDAM'S DICTATORIAL REGIME
size : 80 cm x 100 cm,

2 more works coming: - not finnsihed at the opening

more about htis work: here

Please, write down your opinion on US politics / Armory Art Fair 2003 - (2 weeks before the war started)

see project here:

Please, teach me Arabic (160 famous Americans), WallachArt Gallery, Columbia University, New York, Damascus 2004
160 postcarsds, stamped and postmarked from Damascusf, Syria, plus 40 postcards not sent to illustrate front picture; two types of cards uses: Saladin Statue, Maryrs Square (indicated with <m> behind the name)
2 parts installation (each 120 x 160 cm

- see list of names below:

(show at the entrance)

Checklist of the exhibition (not completely accurate.. - mistakes. .sorry.. )

Dimensions are in inches, height before width. All photographs are in color unless otherwise noted.

Seminars/Lectures
<63 photographs; all 20 x 24 inches; all framed in frames provided by Rainer Ganahl>
1. S/L, Griselda Pollock, Killing Men/Dying Women: Myth, Gesture and Sexual Difference in the 1950s, colloquium “fémininmasculin,” Les Revues Parlées, Centre Georges Pompidou, Paris, 2/2/1996
2 photographs, each 20 x 24 in.
2. S/L, Zeinab Eyega, Female Circumcision , Female Genital Mutilation, A Health and Human Rights Issue for Girls and Women, Columbia University, New York, 2/25/1997
4 photographs, each 20 x 24 in.
3. S/L, Eric Hobsbawm, Carl Schorske, David Montgomery, Ira Katznelson, Moderator: André Schiffrin, The Cold War and the University, The New School for Social Research, New York, 11/13/1997
3 photographs, each 20 x 24 in.
4. S/L, Homi Bhabha, Whose Modernity Is It Anyway? The Museum of Modern Art, New York, 11/18/1997
3 photographs, each 20 x 24 in.
5. S/L, Marc Dessauce, The Inflatable Moments: Pneumatics and Protests in '68, Reassessing '68 in New York and Paris: Activism, Architecture and the Academy, Columbia University, New York, 5/2/1998
4 photographs, each 20 x 24 in.
6. S/L, Noam Chomsky, Edward Said, Middle East Politics, Miller Theater, Columbia University, New York, 4/9/1999
2 photographs.
7. S/L, Jacques Rancière, Politics of Literature, La Maison Française, New York University, New York, 4/14/1999
3 photographs, each 20 x 24 in.
8. S/L, Stuart Hall, Ethnicity, Nation and Race at the Millennium, The Institute of Education, University of London, London, 7/1/1999
3 photographs, each 20 x 24 in.
9. S/L, Pierre Bourdieu, Recherches récentes, Collège de France, Paris, 1/12/2000
4 photographs, each 20 x 24 in.
10. S/L, Herschel Schacter, Irving Greenberg, Caroline Gutman, Barbara Haber, Adriana Paulion, The Impact of the Holocaust on Survivors: Mental Health Consequences, The Mount Sinai School of Medicine, New York, 5/1/2000
4 photographs, each 20 x 24 in.
11. S/L, Martha Rosler, Martha Rosler talks with curators Dan Cameron and Brian Wallis, New York University, New York, 8/8/2000
4 photographs, each 20 x 24 in.
12. S/L, Kobena Mercer, Nicholas Mirzoeff, Michele Wallace, Debating Diaspora, The New School for Social Research, New York, 10/30/2000
4 photographs, each 20 x 24 in.
13. S/L, Cornel West, Rem Koolhaas, Conversation 2, pragmatist imagination, The Museum of Modern Art, New York, 11/10/2000
2 photographs, each 20 x 24 in.
14. S/L, Rosalind Krauss, Bruce Nauman, Dia Art Foundation, New York, 5/23/2002
4 photographs, each 20 x 24 in.
15. S/L, Indira Viswanathan Peterson, Reading India in Goethe's Sati Ballad: Orientalist and Enlightenment Discourse in 'Der Gott und die Bajadere,' Columbia University, New York, 2/12/2004
4 photographs, each 20 x 24 in.
16. S/L, James Clifford, Impossible Realism, La Maison Française, New York University, New York, 3/6/2004
2 photographs, each 20 x 24 in.
17. S/L, Kojin Karatani, Ishikawa Kinichiro, Ping-hui Liao, Translation across Asia: Kojin Karatani, Translation as the Origin of Modern Japanese Literature; Ishikawa Kinichiro on Taiwan Landscape: A Case Study in Cultural Translation; Ping-hui Liao, The Translingual Beginnings of the Modern Korean Novel, Jongyon Hwang; Discussant: Paul Anderer, Columbia University, New York, 3/27/2004
2 photographs, each 20 x 24 in.
18. S/L, Charity Scribner, Terror and Controlled Space in Margarethe von Trotta's Die bleierne Zeit: Questions about Surveillant Technologies, Deutsches Haus, Columbia University, New York, 4/8/2004
2 photographs, each 20 x 24 in.

19. S/L, Roger Normand, World Tribunal on Iraq, New York Session, Third Session: Crimes Committed during the Ongoing Occupation, Cooper Union, New York, 5/8/2004
5 photographs, each 20 x 24 in.

20. S/L, Larry Flynt, Larry Flynt: Sex Lies and Politics, speech and signing, Coliseum Books, New York, 6/28/2004
2 photographs, each 20 x 24 in.
Library
<books to be purchased: determine installation (on table with chairs?)>
21. The Politics of Learning: A Portable Library for the Wallach Art Gallery, 2005
20 books, dimensions vary
Sociolinguistics
<25 photographs; 20 x 24 in. each: use existing wallach frames / 8 photographs; 30 x 40 in.: NEW FRAMES / 2 posters: determine presentation / 1 video monitor and 1 VCR on pedestal>
22. Basic Vorarlbergian, Always Go to Church,.1995-96
Photograph, 20 x 24 in.
23. Basic Vorarlbergian, At Home., 1995-96
Photograph, 20 x 24 in.
24. Basic Vorarlbergian, Good People., 1995-96
Photograph, 20 x 24 in.

25. Basic Vorarlbergian, Say Nothing Do Nothing., 1995-96
Photograph, 20 x 24 in.

26. Basic Vorarlbergian, Son of a Bitch.,1995-96
Photograph, 20 x 24 in.

27. Basic Vorarlbergian, Yes, Yes., 1995-96
Photograph, 20 x 24 in.

28. Reda-The Dialect of Vorarlberg, 1995-96
digital pigment print, 24 x 30 cm
29. Basic Russian, arts faculties, 1996
Photograph, 20 x 24 in.
30. Basic Russian, to fight (with someone), 1996
Photograph, 20 x 24 in.
31. Basic Russian, What's the matter with you? 1996
Photograph, 20 x 24 in.
32. Basic Russian, I went all around the bookshops, 1996
Photograph, 20 x 24 in.
33. Basic Russian, I can't agree with you, 1996
Photograph, 20 x 24 in.
34. Basic Russian, Can you tell me…? 1996
Photograph, 20 x 24 in.
35. Basic Korean, Is it far from Seoul to Pusan? 1997
Photograph, 20 x 24 in.
36. Basic Korean, I would like to sleep now., 1997
Photograph, 20 x 24 in.

37. Basic Korean, We won't be late if we get up early., 1997
Photograph, 20 x 24 in.

38. Basic Korean, Korean is as difficult as English., 1997
Photograph, 20 x 24 in.
39. Basic Korean, I've liked him since I was a child., 1997
Photograph, 20 x 24 in.
40. Basic Korean, I barely make a living., 1997
Photograph, 20 x 24 in.
41. Basic Canadian, The taste for study, 2000
Photograph, 20 x 24 in.
42. Basic Canadian, Yours to discover., 2000
Photograph, 20 x 24 in.
43. Basic Canadian, For fear of losing his position, 2000
Photograph, 20 x 24 in.
44. Basic Canadian, The title is “About Class,” 2000
Photograph, 20 x 24 in.
45. Basic Canadian, In the eyes of the people, 2000
Photograph, 20 x 24 in.
46. Basic Canadian, He was chased from the country, 2000
Photograph, 20 x 24 in.
47. Basic Canadian: Robert Houle, 2000
Video, 60 mins.
48. Local Language: Canadian, 2000
Offset lithograph, 20 x 24 in.
49. Local Language: Belgian, 2001
Offset lithograph, 20 x 24 in.
50. Basic Arabic, What is your Nationality?, 2004
Photograph, 24 X 32 INCHES
51. Basic Arabic, The important newspapers in Syria are: Al Baath, Revolution, and October, 2004
Photograph, 24 X 32 INCHES
52. Basic Arabic, It's a shop, 2004
Photograph, 24 X 32 INCHES
Pl. 51 (top)
53. Basic Arabic, Visit me once every year, 2004
Photograph, 24 X 32 INCHES
54. Basic Chinese, The facial makeup was very special., 2005
Photograph, 24 X 32 INCHES.
55. Basic Chinese, In addition to this, the old folks are fond of keeping birds, fishing and listening to Peking opera. Young people prefer to go dancing in ball-rooms and sing songs in caraoke halls., 2005
Photograph, 24 X 32 INCHES
56. Basic Chinese, Of course the European team is stronger., 2005
Photograph, 24 X 32 INCHES.
57. Basic Chinese, Does everyone ride a bicycle in China?, 2005
Photograph, 24 X 32 INCHES
Please, teach me …
<10 photographs; 11 X 14 X in.:
58. Please, teach me German, 1995
10 black-and-white photographs, each 11 X 14 in.

59. Please, teach me Arabic (160 famous Americans), 2004
200 postcards from the artist, mailed from Damascus to various individuals in care of the Wallach Art Gallery, Columbia University
INSTALLATION IS ON BOARDS..
I SEND YOU EARLIER THE DESCRIBTION
8 pieces
Also please, listse the names fo the carsd:Rainer Ganahl
Please, teach me Arabic (160 famous Americans), WallachArt Gallery, Columbia University, New York, Damascus 2004
160 postcarsds, stamped and postmarked from Damascus, Syria, plus 40 postcards not sent to illustrate front picture; two types of cards uses: Saladin Statue, Maryrs Square (indicated with <m> behind the name)
2 parts installation (each 120 x 160 cm)
Maya Angelon
Woody Allen <m>
Arjun Appandurai <m>
Lance Armstrong <m>
Louis Armstrong <m>
Douglas Mac Arthur
Fred Astair <m>
Richard Artschwager <m>
Paul Auster <m>
Josephine Baker
Joan Baez <m>
Samuel Barber <m>
Djuna Barnes
Jean-Michel Basquiat
The Beach Boys <m>
Barry Bonds
Max Brothers
Charles Bukowski <m>
William S. Burroughs <m>
George W. Bush <m>
John Cage <m>
Al Capone <m>
Andrew Carnegie <m>
Jimmy Carter <m>
Jonny Cash <m>
John Cassavetes <m>
Leo Castelli <m>
Noam Chomsky <m>
James Clifford
Bill J. Clinton <m>
Kurt Cobain <m>
John Coltrane <m>
Merce Cunningham <m>
Robert Deniro
John Dewey
Amadou Diallo <m>
Walter Disney <m>
Joe Dimaggio <m>
W. E. DuBois
Bob Dylan <m>
D. D. Eisenhower <m>
Iring Fetscher <m>
50 Cents <m>
Ella Fitzgerald
Larry Flint <m>
Anthony Fokker <m>
Malcolm S. Forbes
Henry Ford <m>
Judy Foster <m>
R. Buckminster Fuller <m>
George Gallup <m>
Judy Garland <m>
Bill Gates <m>
Jean Paul Getty <m>
Allen Ginsberg <m>
Clement Greenberg
Francis Ford Coppola
Salomon Guggenheim
Petricia Hearst
Hugh Heffner <m>
Jimmy Hendrix
Ernst Hemingway <m>
Eva Hesse
Crazy Horse
Jesse Jackson
Michael Jackson <m>
Steve Jobs
Janis Joplin <m>
Michael Jordan
Louis Kahn
Georgia O'Keeffe
J. F. Kennedy
Charles King <m>
Rodney King <m>
Henry Kissinger
Spike Lee
Monica Lewinsky
Maya Lin
Daniel Liebeskind
Roy Lichtenstein
John Walker Lindh <m>
Jennifer Lopez
Martin Luther King <m>
Madonna
Robert Mapplethorpe
Dean Martin
Ricky Martin
Margaret Mead
Norman Mailer
Kobena Mercer <m>
Liza Minnelli
Arthur Miller
Marlyn Monroe
Tony Morrison
Rupert Murdoch
Robert Morris
Bruce Nauman <m>
Richard Nixon
Mc Namara
Jessy Norman
Jacqueline Onassis
Meret Oppenheim
Robert Oppenheimer
Sarah Jessica Parker
Rosa Parks
Tacott Parsons
I.M. Pei
Gregory Peck
Sidney Poitier
Jackson Pollock
Ezra Pound
Elvis Presley <m>
Prince
The Ramones <m>
Man Ray
Ronald Reagan <m>
J. D. Rockefeller
Lou Reed
Steve Reich
Sacagawea
Edward Said <m>
Carlos Santana
Arnold Schwarzenegger <m>
Martin Scorsese
Tupac Shakur <m>
O. J. Simpson <m>
Frank Sinatra <m>
B. F. Skinner
Susan Sontag <m>
Steven Spielberg <m>
Gayatri Ch. Spivak
Robet Smithson
Isaac Stern
Gertrude Stein
Oliver Stones <m>
John Stuart
Liz Tayler
Nellie Taylor Ross
John Travolta
Donald Trump
Harriet Tubman
H. S. Truman
Ted Turner
Cy Twombly
Timothy McVeigh
Robert Venturi
Oprah Winfrey
Andy Warhol
James Dewey Watson
Cornel West <m>
Jody Willliams
Serena Willilams
Fred Wilson
Woodrow Wilson <m>
Norbert Wiener
Elie Wiesel
Paul Wolfowitz <m>
Tiger Woods
Malcolm X <m>
Frank Zappa

TO PBasic Linguistic Services
<4 photographs; 20 x 24 in. each: use existing wallach metal frames / 1 stack of tapes: determine installation/ 1 monitor and a VCR on pedestal?>
60. Basic Linguistic Services, Basic German, 4 women, 1994-95
4 photographs, each 20 x 24 in.; 10 tapes (120 minutes)
61. Basic Feelings: not good today, 1997
Video, 1 min. 50 sec.
62. Basic Feelings: good today, 1997
Video, 1 min. 50 sec.
63. Basic Feelings, stupid today, 1997
Video, 1 min. 50 sec.
64. Basic Feelings, excited today, 1997
Video, 1 min. 50 sec.
65. Basic Feelings, confused today, 1997
Video, 1 min. 50 sec.
66. Basic Feelings, strange, 1997
Video, 1 min. 50 sec.

66. Basic Conflicts, Justice, 1999
Video, 1 min. 50 sec.

67. Basic Conflicts, The Nation, 1999
Video, 1 min. 50 sec.

68. Basic Conflicts, Language, 1999
Video, 1 min. 50 sec.

69. Basic Conflicts, Currency, 1999
Video, 1 min. 50 sec.
70. Basic Conflicts, Religion, 1999
Video, 1 min. 50 sec.
71. Homeland Security I, 2003
Video, 1 min. 50 sec.

72. Homeland Security II, 2003
Video, 1 min. 50 sec.
73. Homeland Security III, 2003
Video, 1 min. 50 sec.
74. Homeland Security IV, 2003
Video, 1 min. 50 sec.
75. Homeland Security V, 2003
Video, 1 min. 50 sec.

Language Studies
<12 sheets approx: 11 3/4 x 8 1/4; 6 (Arabic) already framed in artists frames; 6 NEW FRAMES NEEDED / 9 sheets 9 7/8 x 7 in.: NEW FRAMES NEEDED / 5 pieces are stacks of tapes presented on floor platforms>
76. Basic Chinese (Study Sheet), Hong Kong, 4/12/2005, VIII
Pencil and ink on paper; 9 x 12 inches
79. Basic Chinese (Study Sheet), New York, 9/7/1999 II, 1999
Pencil and ink on paper; 9 x12 inches.
80. Basic Chinese (Study Sheet), New York,2/22/2002,
Pencil on paper; 9X12 INCHES
81. Basic Chinese (Study Sheet), New York,11/14/2004,
Pencil on paper; 11 3/4 X 8 1/4 INCHES
KEEP CHRONOLOGICAL ORDER PLEASE.. 82. Basic Arabic (Study Sheet), New York, 10/6/02
Pencil on paper; 9X12 INCHES
83. Basic Arabic (Study Sheet), New York, 10/5/03
Pencil on paper, 9X12 INCHES
84. Basic Arabic (Study Sheet), New York, 5/12/04
Pencil on paper, 9X12 INCHES
85. Basic Arabic (Study Sheets), NEW YORK, 4/7/04
Pencil on paper, 9X12 INCHES
ARABIC AND CHIENSE - NOT FRAMED YETPLEASE, LETS CHOSE A CONSISTENT FORMAT: OR 04 OR 2004 .. BUT THEN EVERYWEHRE…!
BASIC JAPANESE (STUDY SHEET), TOKYO 8/19/1993
Penicl on paper, laser print out on paper, 9 _ x 6 15/16 inches, 8 _ x 11 inches, frame 17 _ x 23 _ inchs
BASIC JAPANESE (STUDY SHEET), TOKYO 8/19/1993
Penicl on paper, laser print out on paper, 9 _ x 6 15/16 inches, 8 _ x 11 inches, frame 17 _ x 23 _ inchs
THEY ARE FRAMED ALREADY..

88. Basic Russian (Study Sheet), NEW YORK 11/2/1994
Penicl on paper, laser print out on paper, 9 _ x 6 15/16 inches, 8 _ x 11 inches, frame 17 _ x 23 _ inchs
89. Basic Russian (Study Sheet), NEW YORK 11/11/1994
Penicl on paper, laser print out on paper, 9 _ x 6 15/16 inches, 8 _ x 11 inches, frame 17 _ x 23 _ inchs
THEY ARE FRAMED ALREADY..
91. Basic Modern Greek (Study Sheet), 11/14/1994
Penicl on paper, laser print out on paper, 9 _ x 6 15/16 inches, 8 _ x 11 inches, frame 17 _ x 23 _ inchs
92. Basic Modern Greek (Study Sheet), 12/16/1994
Penicl on paper, laser print out on paper, 9 _ x 6 15/16 inches, 8 _ x 11 inches, frame 17 _ x 23 _ inchs
THEY ARE FRAMED ALREADY..

94. 3 Months, 3 Days a Week, 3 Hours a Day, Basic Modern Greek, 1994-95
120 hours of video footage on 60 VHS tapes in 6 boxes
95. 6 Days, 6 Hours a Day, Basic Modern Greek, 1995
36 hours of video footage on 20 VHS tapes in 2 boxes
96. Basic Korean (Study Sheet), NEW YORK 10/11/1995
Penicl on paper, laser print out on paper, 9 _ x 6 15/16 inches, 8 _ x 11 inches, frame 17 _ x 23 _ inchs
97. Basic Korean (Study Sheet), LOS ANGELES, 4/8/1996
Penicl on paper, laser print out on paper, 9 _ x 6 15/16 inches, 8 _ x 11 inches, frame 17 _ x 23 _ inchs
THERE IS ONLHY ONE INSTANCE WHERE WE HAVE INK.. 0-THAT IS ON THE CHINESE ONE.. ONLY ONE AFERNOON. I NEVE RUSE INK.. CAREFULLL PELASE..
ALWAS PENCIL
BASIC KROEAN - NOT FRAMED YET
99. 50 Days, 2 Hours a Day, Basic Japanese, Chiba, 1997
100 hours of video footage on 50 VHS video tapes in 5 boxes, 50 slides, presented together with various papers, photographs, slides, walking stick which the artist used to climb Mount Fuji, and other typical paraphernalia one comes across when visiting Japan
100. My First 500 Hours Basic Chinese, 1999-2000
500 hours of video footage on 250 VHS video tapes in 25 boxes
My SECOND 500 Hours Basic Chinese, 2000 -
500 hours of video footage on 250 VHS video tapes in 25 boxes101. My First 500 Hours Basic Arabic, 2002-5
500 hours of video footage on 250 VHS video tapes in 25 boxes
Language of Emigration
<2 photgraphs, 24 x 68 in. NEW FRAMES NEEDED / 11 photographs, 20 x 24 in. NEW FRAMES NEEDED / 2 video monitors and 2 VCRS on pedestals? - note: AV EQUIPMENT NEEDED>
102. Language of Emigration, Clara Ringel, 2001
photograph, 24 x 68 in.; 5 photographs, each 24 x 20 in.; video, 60 min.
103. Language of Emigration, Bertold Adler, 2005
photograph, 24 x 68 in.; 6 photographs each 24 x 20 in.;.; video, 70 min.
Readings
<8 photographs; 16 x 20 in: NEW FRAMES NEEDED / 7 photographs; 20 x 24 in.: use existing wallach metal frames / 3 photographs; 30 x 40 in.: NEW FRAMES NEEDED>
104. Imported…A Reading Seminar (Japanese Version), Hiroshima, 1995
Photograph, 16 x 20 in.
105. Imported…A Reading Seminar (U.S. Version), Florida, 1995
Photograph, 16 x 20 in.
106. Imported…A Reading Seminar (Russian Version), Moscow, 1995
Photograph, 16 x 20 in.
107. Imported…A Reading Seminar (Californian Version), Los Angeles, 1995
Photograph, 16 x 20 in.
108. Imported…A Reading Seminar (Californian Version), Los Angeles, 1995
Photograph, 16 x 20 in.
109. Imported…A Reading Seminar (French Version), Nice, 1996
Photograph, 16 x 20 in.
110. Imported…A Reading Seminar (French Version), Nice, 1996
Photograph, 16 x 20 in.
111. Imported…A Reading Seminar (German Version), Stuttgart, 1996
Photograph, 16 x 20 in.
112. Reading Karl Marx, Innsbruck, 1999
Photograph, 20 x 24 in.
113. Reading Karl Marx, Frankfurt, 2000
Photograph, 20 x 24 in.

114. Reading Karl Marx, Arnhem, 2000
Photograph, 20 x 24 in.
115. Reading Karl Marx, Leeds, 2001
Photograph, 20 x 24 in.
116. Reading Karl Marx, Brooklyn, 2001
Photograph, 20 x 24 in.
117. Reading Karl Marx, Kingston, 2001
Photograph, 20 x 24 in.
118. Reading Frantz Fanon, Nice, 2001
Photograph, 20 x 24 in.
119. Reading Frantz Fanon, New York, 2002
Photograph, 20 x 24 in.
120. Reading Frantz Fanon Utrecht, 2002
Photograph, 20 x 24 in.
121. Reading Frantz Fanon, Bremen, 2002
Photograph, 20 x 24 in.
122. Reading Frantz Fanon, Geneva (during the anti-G8 Evian protest), 2003
Photograph, 20 x 24 in.
123. Reading Frantz Fanon, New York (Central Park during the Republican Convention when the park was off limits to protests), 2004
Photograph, 20 x 24 in.
124. Reading Antonio Gramsci, Florence, 2002
Photograph, 24 X 32 INCHES
125. Reading Antonio Gramsci, Florence, 2002
Photograph, 24 X 32 INCHES
126. Reading Antonio Gramsci, Florence, 2002
Photograph, 24 X 32 INCHES
Dialogs
<5 photographs; 30 x 40 in.: framed in frames from Rainer Ganahl / 2 videos and VCRS -another 2 we need to find / 3 embroidery pieces: determine presentation / 1 ceramic tile piece: determine installation / 1 installation of wall panels: artist to coordinate installation needs>
127. Rudi Gurtin, My Travel Agent a Stalinist in New York in the Year 2000
2 photographs, each 30 x 40 in., and video, 62 min.
128. Marx é ancora Marx/Marx and Again Marx: Interview with Toni Negri while under House Arrest in Rome, 2001 (AT NIGHT HIE HAD TO RETURN TO EHT PRISON . ONLY DURING DAY AT HOME)
3 photographs, each 30 x 40 in., and video, 2 h. 35 min.
129. Afghan Dialog (with Anonymous), Next Target, 2001-2
G8 Members should make their decisions wisely
Silk embroidery, 11 3/4 x 15 3/4 in.
130. Afghan Dialog (with Anonymous), Live, Live, Live…Evil, 2001-3
What can helpless people do except to pray that the almighty gives us power and strength to bear these difficulties and take care of us. Because the whole world is chasing us you should make some arrangement for our safety.
Silk embroidery, 50 x 73 in.
131. Afghan Dialog (with Anonymous), Latest Developments, 2001-3
The life of Pharaoh is a lesson for the world till doomsday
Silk embroidery, 29 x 41 in.

132. Iraq Dialogs (with Ghazi /al Delamimi), Next Target, 2002-3
painted and glazed ceramic tiles, 80 tiles each, 31 _ x 39 3/8 in.
133. Please Write Your Opinion of U.S. Politics on the Wall, 2003
An interactive project for zingmagazine at the Armory Artfair, New York, March 2003, done just weeks before the invasion of Iraq.
Ink on 7 PVC panels, METAL FIXTURES, 6 approx. 84 x 36 in.; 1 approx. 84 x 24 in.

1 a
AFGHAN DIALOG, AMERICA STRIKES BACK, 2002
If America is hurting others, it should first find out how much pain it can take herself.
25 x 32 (29 x 41) inches
mumok

#14
AFGHAN DIALOG, AMERICA AT WAR, 2002
21 x 30 inches
translation: To finish and destroy terrorism, the entire Muslim world is with America.

2
AFGHAN DIALOG, LIVE, LIVE, LIVE …EVIL, 2002/03
50 x 73 inches / 127 x 185 cm
translation: What is the difference between human beings and animals for you? You spend more on dogs and cats than here on human beings.
This game is just for a while. It is not forever. This is going to be over now very soon. Just wait, compare what we lose for what. You lose everything. we lose nothing because we have nothing.
(trento)IRAQ DIALOG: ROAD TO WAR, LIVE, BREAKING NEWS, 2003
Arabic text and calligraphy by Hikmat, 2003
Logos painted by Casco team
TRANSLATION:
IRAQ PEACEFUL LIBERATION / THE REMOVAL OF SADDAM'S REGIME / WHY? /CRIMES OF THE REGIME; SMUGGLING OF IRAQI OIL; DICTATORSHIP; ECONOMIC, EDUCATIONAL AND HEALTH COLLAPSE; HANGING, KILLING, ASSASSINATIONS, PRISONS, TORTURE, MISUSE OF IRAQI OIL REVENUES; THE INFLATION OF THE IRAQI DINAR; THE CRIMES OF SADDAM'S WARLORDS, HIS FAMILY AND RELATIVES AND BY THE BAATH MEMBERS, IRAQ-IRAN WAR; OCCUPATION OF KUWAIT; WAR AGAINST IRAQI PEOPLE, KURDS, SHIITES AND OTHERS, ETC.
painted and fired ceramic tiles, size : 80 cm x 100 cm

IRAQ DIALOG,SHOWDWON IRAQ, LIVE COVERAGE, WOULD US USE NUKES?, 2003
Arabic text and calligraphy by Hikmat, 2003
logo painted by Casco team
translation:
IRAQ PEACEFUL LIBERATION / FROM SADDAM'S DICTATORIAL REGIME / NO WAR ON IRAQ / NO INVASION OF IRAQ / SERIOUS INTERNATIONAL PRESSURES / HUMAN RIGHTS ORGANIZATIONS / AMNESTY INTERNATIONAL ,DOCTORS WITHOUT BORDERS; RESTRICTIONS ON SADDAM'S REGIME; WORLD MEDIA - WEAPONS INSPECTORS - UN - ARAB LEAGUE - ISLAMIC CONFERENCE WORLD POWERS. IRAQI OPPOSTION GROUPS, INSIDE AND OUTSIDE IRAQ, / DEMOCRACY, FREEDOM, HUMAN RIGHTS / THE COLLAPSE OF SADDAM'S DICTATORIAL REGIME
painted and fired ceramic tiles, size : 80 cm x 100 cm

(here abotu the tapes:
you will pick uiip today:
17 boxes - arabic / still 8missing - need to be labeled here (I bring later myself)
8 boxes greek (two works)
9 japanese
19 korean (might be more.. looking in the basement)
3 huge boxes - chiense 1st 500 hours
2 - stacks of each 50 tapes - chiense ( 2nd 500 - part) -- the rest missing here: needs labeling)you also get:
iraq dialog, wiht Hikmat

here only these are the works:
afghan dialgos

1 a
AFGHAN DIALOG, AMERICA STRIKES BACK, 2002
If America is hurting others, it should first find out how much pain it can take herself.
25 x 32 (29 x 41) inches

#14
AFGHAN DIALOG, AMERICA AT WAR, 2002
21 x 30 inches
translation: To finish and destroy terrorism, the entire Muslim world is with America.

1 a
AFGHAN DIALOG, AMERICA STRIKES BACK, 2002
If America is hurting others, it should first find out how much pain it can take herself.
25 x 32 (29 x 41) inches

#14
AFGHAN DIALOG, AMERICA AT WAR, 2002
21 x 30 inches
translation: To finish and destroy terrorism, the entire Muslim world is with America.

IRAQ DIALOG: TARGET IRAQ, CNBC, BAGHDAD, WAR ON TERROR, 2003
Arabic text and calligraphy by Hikamt, 2003
LOGO PAINTING: casco team
translation:
IRAQ PEACEFUL LIBERATION
NO TO WAR AGAINST IRAQ
NO TO THE OCCUPATION OF IRAQ
SERIOUS INTERNATIONAL PRESSURES
first circle: INTERNATINOAL COMMUNITY BIG POWERS, UN INSPECTORS, ISLAMIC CONFERENCE, ARAB LEAGUE,
second circle: HUMAN RIGHTS ORGANIZATIONS,
third circle: DOCTORS WITHOUT BORDERS, UN HUMAN RIGHTS ORGANIZATION, AMNESTY INTERNATIONAL,
forth circle: PARTIES, IRAQ OPPOSITION INSIDE AND OUTSIDE OF IRAQ, SOCIETIES
fifth circle: FREEDOM, HUMAN RIGHTS, DEMOCRACY
THE COLLAPSE AND FALL OF SADDAM'S DICTATORIAL REGIME
size : 80 cm x 100 cm,
insurrance: 15 000 Iraq-dialog: AMERICAN STYLE JUSTICE, 2003
Arabic text and calligraphy by Hikmat, 2003
logo painted by: RG
translation: Violation of international laws
painted and fired ceramic tiles, size : 60 cm x 80 cm
-

--------
Basic Canadian Video

Local Language: Belgian (poster)

Please teach me Arabic (postcard project)

Language of Emigration, Clara Ringel

Language of Emigration, Bertold Adler

Afgan Dialog, Next Target (embroidery)
see above
Afghan Dialog, Live, Live, Live... Evil (embroidery)
see above
Afghan Dialog, Latest Developments (embroidery)
not in show - see different above
Iraq Diaglogs, Next Target (ceramic tiles)
not in show - see different aboveIMPORTANT: -- VINTAGE BOXES.. DIFFICULT OT GET.. IMPORSISLBEL.. MY FIRST 500 HOURS BASIC CHINESE

MY SECOND 500 HOURS BASIC CHINESE

MY FIRST 500 HOURS BASIC ARABIC

MY FIRST 500 HOURS BASIC CHINESE

BASIC JAPANESE ... 180 HOURS

BASIC KOREAN
MONTHS.. 3 DAYS A WEEK, 3 HORUS A DAY .. BASIC MODERN GREET
VINTAGE BOXES)
6 DYAS , 6 HOURS A DAY

LINKS FOR SOME OF THE WORKS;

Marx e ancora Marx, Antonio Negri.